Wild & Precious Life

a collection of beautiful words…..

Tag: new yorker

Excerpt from The Strangeness of Grief by V.S. Naipaul

We are never finished with grief. It is part of the fabric of living. It is always waiting to happen. Love makes memories and life precious; the grief that comes to us is proportionate to that love and is inescapable.

Whatever Else by Jim Moore

Whatever else, the little smile on the face of the woman
listening to a music the rest of us can’t hear and a sky at dawn
with a moon all its own. Whatever else, the construction crane
high above us waiting to be told how to do our bidding,
we who bid and bid and bid. Whatever else, the way cook #1
looks with such longing at cook #2. Let’s not be too sad
about how sad we are. I know about the disappearance
of the river dolphins, the sea turtles with tumors.
I know about the way the dead
don’t return no matter how long they take to die
in the back of the police car. I know about the thousand ways our world
betrays itself. Whatever else, my friend, spreading wide his arms,
looks out at the river and says,
“After all, what choice did I have?” After all,
I saw the man walking who’d had the stroke, saw the woman
whose body won’t stop shaking. I saw the frog in the tall grass,
boldly telling us who truly matters. I saw the world
proclaim itself an unlit vesper candle while a crow
flew into the tip of it, sleek black match, burning.

Dorothy Parker

I suppose that is the thing about New York. It is always a little more than you had hoped for. Each day, there, is so definitely a new day. “Now we’ll start over,” it seems to say every morning, “and come on, let’s hurry like anything.”

London is satisfied, Paris is resigned, but New York is always hopeful. Always it believes that something good is about to come off, and it must hurry to meet it. There is excitement ever running its streets. Each day, as you go out, you feel the little nervous quiver that is yours when you sit in the theater just before the curtain rises. Other places may give you a sweet and soothing sense of level; but in New York there is always the feeling of “Something’s going to happen.” It isn’t peace. But, you know, you do get used to peace, and so quickly. And you never get used to New York.

No Ideas But In Things by Jessica Greenbaum

We checked the vents and hidden apertures of the house,
then ran out of ideas of where it might be open to the world.
So we couldn’t figure out how the squirrel was getting in.
We each had methods that succeeded in shooing him,
or her, out the door—but none of them lasted. Whether
it was the same squirrel—terrified when in the house, and
persistently so—or various we couldn’t tell because,
tipped off by a glance, he zigzagged from froze-to-vapor,
vanishing, Zorro-like, until signs would tell us he had
revisited the sideboard to dig in the begonia. (Escaping
Newcastle in a search for coal.) We plotted his counter-
escape, laying a path of pecans to a window opening
on the yard. A few days would pass, and, believing him
gone, we felt inexplicably better than when we began.
Then, from another room, the amplified skritch of nutmeg
being grated—and, crash. Bracelets off dresser tops, bud
vases, candy dishes, things houses have that the back yard
doesn’t. You don’t think of squirrels knocking things over,
but inside it was like living with the Ghost and Mrs. Muir.
When we couldn’t trust the quiet or prove his absence,
we cast him as that hapless shade: worry. Our own gray
area, scat-trailing proof of feral anxiety. But after a few
cycles of release-and-catch I grew bored with the idea,
with its untamed projections. Since he dashes up walls,
(yanked, like a pulley), or seeks treasure in a five-inch pot,
daily, why not adopt him as optimism’s travelling rep?
I tried. But the sun comes up, we step toward the stove,
and he shoots out like a cue ball, banks off the kitchen door
—what mayhem is caused by going to make coffee!—
and the day, again, begins with a shriek. We are now in
week three and I accept that, inside, the squirrel is going
to stand for something else. And so is the May rain
and so is the day you took off your coat and the tulips
joined in with the cherry blossoms and the people came out
and the pear-tree petals floated down in polka dots
around the tulips, and even around the cars. We name life
in relation to whatever we step out from when we
open the door, and whatever comes back in on its own.

Unforced Error by Meghan O’Rourke

Once: those long wet Vermont summers.
No money, nothing to do but read books, swim 
in the river with men wearing their jean shorts,
then play bingo outside the church, celebrating when we won.
Nothing seemed real to me and it was all very alive.
It took that long to learn how wrong I was—
over the rim of the horizon the sun burns.
Heidegger: “Every man is born as many men
and dies as a single one.” 
The bones in us still marrowful.
The moon up there, too, an arctic sorrow.
I’m sorry, another Scotch? Some nuts?
I used to think pressing forward was the point of life, 
endlessly forward, the snow falling,gaudily falling.
I made a mistake. Now I have a will. It says when I die
let me live. A white shirt, bare legs, bones beneath.
Numbers on a board. A life can be a lucky streak,
or a dry spell, or a happenstance. 
Yellow raspberries in July sun, bitter plums, curtains in wind.

Essay On Wood by James Richardson

At dawn when rowboats drum on the dock
and every door in the breathing house bumps softly
as if someone were leaving quietly, I wonder
if something in us is made of wood,
maybe not quite the heart, knocking softly,
or maybe not made of it, but made for its call.

Of all the elements, it is happiest in our houses.
It will sit with us, eat with us, lie down
and hold our books (themselves a rustling woods),
bearing our floors and roofs without weariness,
for unlike us it does not resent its faithfulness
or question why, for what, how long?

It’s branchings have slowed the invisible feelings of light
into vortices smooth for our hands,
so that every fine-grained handle and page and beam
is a wood-word, a standing wave:
years that never pass, vastness never empty,
speed so great it cannot be told from peace.

Map by Wislawa Szymborska

Flat as the table
it’s placed on.
Nothing moves beneath it
and it seeks no outlet.
Above–my human breath
creates no stirring air
and leaves its total surface
undisturbed.

Its plains, valley are always green,
uplands, mountains are yellow and brown,
while seas, oceans remain a kindly blue
beside the tattered shores.

Everything here is small, near, accessible.
I can press volcanoes with my fingertip,
stroke the poles without thick mittens,
I can with a single glance
encompass every desert
with the river lying just beside it.

A few trees stand for ancient forests,
you couldn’t lose your way among them.

In the east and west,
above and below the equator–
quiet like pins dropping,
and in every black pinprick
people keep on living.
Mass graves and sudden ruins
are out of the picture.

Nation’s borders are barely visible
as if they wanted–to be or not.

I like maps, because they lie.
Because they give no access to the vicious truth.
Because great-heartedly, good-naturedly
they spread before me a world
not of this world.

Reciprocity by Wislawa Szymborska

There are catalogues of catalogues.
There are poems about poems.
There are plays about actors played by actors.
Letters due to letters.
Words used to clarify words.
Brains occupied with studying brains.
There are griefs as infectious as laughter.
Papers emerging from waste papers.
Seen glances.
Conditions conditioned by the conditional.
Large rivers with major contributions from small ones.
Forests grown over and above by forests.
Machines designed to make machines.
Dreams that wake us suddenly from dreams.
Health needed for regaining health.
Stairs leading as much up as down.
Glasses for finding glasses.
Inspiration born of expiration.
And even if only from time to time
hatred of hatred.
All in all,
ignorance of ignorance
and hands employed to wash hands.